“Scroll down to the end of the article to listen to music.”
Introduction
The year was 1999, and country music was undergoing a seismic shift. Amidst the glitzy pop crossovers, two stalwarts of traditional country music, George Strait and Alan Jackson, delivered a poignant critique with their cover of “Murder on Music Row.” This performance not only highlighted the tension between pop and traditional sounds in Nashville but also marked a bold statement on the state of country music.
About The Composition
Title: Murder on Music Row
Composer: Larry Cordle and Larry Shell
Premiere Date: 1999
Album/Opus/Collection: Initially not part of any album, but later included on George Strait’s “Latest Greatest Straitest Hits”
Genre: Country, specifically neo-traditional
Background:
“Murder on Music Row” was penned by Larry Cordle and Larry Shell as a lament over the displacement of traditional country music by pop-influenced sounds in the late 20th century. Though not originally recorded for mainstream success, it became a cult classic among country purists when George Strait and Alan Jackson performed it at the CMA Awards. This performance underscored the song’s critical message about the commercialization of country music and its departure from roots and authenticity.
Musical Style
The song features a traditional country arrangement with steel guitars and fiddles, embodying the very essence of the music it seeks to preserve. The structure is straightforward yet impactful, with poignant vocals that convey a deep sense of loss and betrayal. This musical style supports the song’s thematic content, emphasizing the nostalgic longing for traditional country sounds.
Lyrics/Libretto
The lyrics of “Murder on Music Row” do not mince words; they directly address the “murder” of traditional country music, symbolized by the loss of elements like the fiddle and steel guitar to pop-oriented productions. The song uses a narrative style, telling a story of cultural and musical loss, making a compelling case for the preservation of musical heritage.
Performance History
Since its debut, the song has been a touchstone for debates within the country music community. Covered by numerous artists, it serves as both a protest song and a memorial for a bygone era. The rendition by Strait and Jackson is particularly notable for its reception at the CMA Awards, where it received a standing ovation, highlighting its resonance with industry insiders and fans alike.
Cultural Impact
“Murder on Music Row” has transcended its initial audience, becoming an anthem for the preservation of traditional music values. It has sparked conversations about authenticity in music production and influenced other musicians to explore and respect their roots. Its impact is seen in the resurgence of interest in neo-traditional and outlaw country genres.
Legacy
The enduring importance of “Murder on Music Row” lies in its unabashed critique of industry trends and its rallying cry for authenticity. It remains relevant as debates about musical authenticity continue to pervade various genres. The song has become a cultural artifact, reminding artists and fans alike of the importance of musical integrity.
Conclusion
“Murder on Music Row” is more than just a song; it is a powerful statement on the state of music and culture. For those interested in the roots of country music and the impact of commercial pressures on artistic expression, this song is a must-listen. I recommend exploring live performances by George Strait and Alan Jackson to fully appreciate the song’s emotional and cultural depth.
Video
Lyrics
Nobody saw him running from sixteenth avenue.
They never found the fingerprint or the weapon that was used.
But someone killed country music, cut out its heart and soul.
They got away with murder down on music row.
The almighty dollar and the lust for worldwide fame
Slowly killed tradition and for that someone should hang
(oh, you tell them Alan).
They all say not guilty, but the evidence will show
That murder was committed down on music row.
For the steel guitars no longer cry and fiddles barely play,
But drums and rock ‘n roll guitars are mixed up in your face.
Old Hank wouldn’t have a chance on today’s radio
Since they committed murder down on music row.
They thought no one would miss it, once it was dead and gone
They said no one would buy them old drinking and cheating songs (I’ll still buy’em)
Well there ain’t no justice in it and the hard facts are cold
Murder’s been committed down on music row.
Oh, the steel guitars no longer cry and you can’t hear fiddles play
With drums and rock ‘n roll guitars mixed right up in your face
Why, the Hag, he wouldn’t have a chance on today’s radio
Since they committed murder down on music row
Why, they even tell the Possum to pack up and go back home
There’s been an awful murder down on music row.