“Scroll down to the end of the article to listen to music.”
Introduction
Marty Robbins was a prolific American singer-songwriter known for his contributions to the country and Western music genres. His storytelling ability and rich, smooth voice captivated audiences for decades. One of his most notable songs, “Mr. Shorty,” showcases his unique talent for blending narrative with melody. Robbins’ ability to evoke vivid imagery and emotion through his music has left a lasting impact on the genre.
About The Composition
- Title: Marty Robbins
- Composer: Marty Robbins
- Premiere Date: Unknown
- Album/Opus/Collection: The Drifter
- Genre: Country, Western
Background
“The Drifter” is an album by Marty Robbins released in 1966. It features a collection of Western-themed songs that highlight Robbins’ storytelling prowess. The album was produced during a time when Robbins was at the height of his career, following the success of earlier hits like “El Paso.” “The Drifter” remains a testament to Robbins’ ability to craft compelling narratives within the framework of country music.
Musical Style
Marty Robbins’ music in “The Drifter” features a blend of traditional country and Western sounds, characterized by smooth vocals, gentle acoustic guitar, and sweeping instrumental arrangements. His style often incorporates elements of folk and narrative balladry, creating an immersive experience for listeners.
Lyrics/Libretto
The lyrics of “The Drifter” album are rich with storytelling and vivid imagery, often exploring themes of love, adventure, and the rugged Western lifestyle. Robbins’ ability to weave intricate tales through his lyrics is a hallmark of his songwriting style.
Performance History
Though specific notable performances of “The Drifter” album are not widely documented, Marty Robbins was known for his engaging live shows and frequent performances on television programs during the 1960s. His charisma and storytelling ability made him a beloved figure on the country music stage.
Cultural Impact
Marty Robbins’ work, including “The Drifter,” has influenced countless artists in the country and Western genres. His storytelling approach and musical style have been echoed in the works of later musicians and continue to resonate within the genre today.
Legacy
Even today, Marty Robbins’ music is celebrated for its timeless quality and storytelling brilliance. “The Drifter” is regarded as a classic example of Western music, continuing to inspire new generations of musicians and country music enthusiasts.
Conclusion
Marty Robbins’ “The Drifter” remains a significant piece of musical history, showcasing his unique talent for blending narrative and melody. For those interested in exploring the roots of country and Western music, Robbins’ work offers a rich and rewarding listening experience. His legacy as a master storyteller endures, inviting listeners to delve deeper into his remarkable catalog.
Video
Lyrics
Nobody knew where he came from
They only knew he came in
Slowly he walked to the end of the bar
And he ordered up one slug of gin.
Well, I could see that he wasn’t a large man
I could tell that he wasn’t too tall
I judged him to be ’bout five-foot three
And his voice was a soft Texas drawl.
Said he was needin’ some wages
‘Fore he could ride for the west
Said he could do most all kind of work
Said he could ride with the best.
There in his blue eyes was sadness
That comes from the need of a friend
And tho’ he tried, he still couldn’t hide
The loneliness there, deep within.
Said he would work thru the winter
For thirty a month and his board
I started to say where he might land a job
When a fellow came in thru the door.
And I could tell he was lookin’ for trouble
>From the way that he came stompin’ in
He told me to leave Shorty there by himself
Come down and wait on a man.
The eyes of the little man narrowed
The smile disappeared from his face
Gone was the friendliness that I had seen
And a wild look of hate took its’ place.
But the big one continued to mock him
And he told me that I’d better go
Find him a couple of glasses of milk
Then maybe Shorty would grow.
When the little man spoke, there was stillness
He made sure that everyone heard
Slowly he stepped away from the bar
And I still remember these words.
Oh! it’s plain that you’re lookin’ for trouble
Trouble’s what I try to shun
If that’s what you want, then that’s what you’ll get
‘Cause cowboy, we’re both packin’ guns.
His hand was already positioned
Feet wide apart on the floor
I hadn’t noticed but there on his hip
Was a short-barreled Bass Forty-Four.
It was plain he was ready and waitin’
He leaned a bit forward and said
When you call me Shorty, say Mister, my friend
Maybe you’d rather be dead.
In the room was a terrible silence
As the big one stepped out on the floor
All drinkin’ stopped and the tick of the clock
Said death would wait ten seconds more.
He cussed once or twice in a whisper
And he said with a snarl on his lips
Nobody’s Mister to me, little man!
And he grabbed for the gun on his hips.
But the little man’s hands was like lightning
The bad Forty-Four was the same
The Forty-Four spoke and it sent lead and smoke
And seventeen inches of flame.
For the big one had never cleared leather
Beaten before he could start
A little round hole had appeared on his shirt
The bullet went clear thru his heart.
The little man stood there a moment
Then holstered the bad Forty-Four
It’s always this way so I never stay
Slowly he walked out the door.
Nobody knew where he came from
They won’t forget he came by
They won’t forget how a Forty-Four gun
One night made the difference in size.
As for me, I’ll remember the sadness
Shown in the eyes of the man
If we meet someday, you can bet I would say
That it’s me, Mr. Shorty, your friend.